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Albert Camus notes in his Preface that, although he has "the most passionate attachment for the theater," he has "the misfortune" of liking only one kind of play, whether comic or tragic. He concludes that there is no true theater without language and style, nor any dramatic work which does not, like our classical …
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After hiding in a dismal cellar during the Nazi occupation, a Hungarian girl must flee from the Russians who now control her country
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